Year written: 1594
Context of the writing (Shakespeare’s career, political events it was responding to):
Possibly his first play? Or first comedy, anyway.
Plot in a paragraph: Valentine and Proteus are bezzies. Valentine heads to Milan and falls in love with the Duke’s daughter, Silvia. Proteus wanted to stay in Verona and woo Julia, but his dad turfed him to Grow Up. Proteus falls in lust at first sight with Silvia (not reciprocated) and cock-blocks Valentine, whom he gets exiled. Valentine becomes leader of a gang of outlaws (obvs). Meanwhile, Julia, dressed as a boy, comes looking for Proteus in Milan, and is there when he woos Silvia, unsuccessfully. In the forest, Silvia meets the outlaws, is almost raped by Proteus who is then… forgiven? WTAF. No, srsly, WTAF.
Things that worked well: The scenes with Julia and Silvia
Things that didn’t work well: The forgiveness shown to Proteus, who is a weapons-grade asshole
Favourite character: Julia, Silvia
Words I learnt:
| Word | Definition |
| Beadsman | Beadsman – a pensioner provided for by a benefactor in return for prayers, especially one living in an almshouse. |
| Testerened | Testerened (intransitive) to prepare one’s will(transitive) to leave or divide (one’s belongings) by means of a will |
| Vesture | Vesture – clothing, dress |
| Farthingale | Farthingale – A farthingale is one of several structures used under Western European women’s clothing – especially in the 16th and 17th centuries – to support the skirts in the desired shape and to enlarge the lower half of the body. The fashion originated in Spain in the fifteenth century. Farthingales served important social and cultural functions for women in Renaissance Europe as they expressed, primarily when worn by court women, high social position and wealth |
| Froward | Froward – (of a person) difficult to deal with; contrary. |
| Allycholly | Allycholly – malapropism for ‘melancholy‘ |
| Halidom | Halidom – something held sacred |
| Trencher | Trencher – a thick slice of bread used as a primitive form of plate for eating and for slicing meat (hence its derivation from “trancher”—to cut, or carve), but by the 14th century a square or circular wooden plate of rough workmanship. |
| Postern | Postern – a back or side entrance. |
| Testern | Testern give a sixpence [tester] as a tip |
Lines worth knowing:
| Act scene lines | Character | Lines | Comment |
| 1,1,8 | Valentine | Wear out thy youth in shapeless idleness | |
| 2, 7, 72 | Lucetta | All these are servants to deceitful men | (about people’s pledges etc – men wanting to get inside your pants etc) |
| 4, 143 | Third outlaw | The fury of ungoverned youth | |
| 4,1,3 | Make a virtue of necessity | First use? No – Chaucer- , including The Canterbury Tales – the Knight’s Tale | |
| 5,3,3 | Silvia | A thousand more mischances than this one Have learned me how to brook this patiently |
Marc’s entirely subjective verdict and score out of 5 bards (ymmv): 2
Will I be tracking down movies of this? : no.
How far would I travel to see a good production of this? If it’s not in Stone.
Unless of course someone does a feminist retelling with either
- Last scene somehow excised (Charlies’ Angels)
- Redone with Valentine beating the living shit out of Proteus on general principles (“don’t rape people”) and then expecting good guy tokens from Silvia, who laughs in his face and elopes with Julia….
Limericks
It just isn’t Valentine’s day
From Verona he makes out his way
He loves the young Jules
Her dad Proteus fools
To the woods for exposure they stray
AND
Valentine and Proteus are bros
The latter is on ev’ry nose
By actions so odious
We learn about Proteus
But then Val, he says “bros before hos”
AND
Valentine and Proteus are rich
And given to many a switch
Neither is “gentle”
Prot’s all “repent”le
But he ought to be dead in a ditch
AND
Young Proteus claims he has class
But is lying and rapey- an ass
If you think he’s repented
Then you’re clearly demented
But STILL he is given a lass.
UPDATE
What other people think:
xxx
Books/chapters/articles I might try to track down:
Xx
Podcasts and their contents
| Date | Podcast | Episode title | Topic | Length | Score out of ten (ymmv) | Comments |
| No Holds Bard | No Holds Bard: NHB 141 – So You’re Going To See THE TWO GENTLEMEN OF VERONA | 33 | 9 | |||
| Approaching Shakespeare | The Two Gentlemen of Verona | University of Oxford Podcasts | 10 |
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