Year written: 1613
Context of the writing (Shakespeare’s career, political events it was responding to): Definitely phoning it in. Working with a young guy called Fletcher. Basically re-tread of Two Gentlemen of Verona, for better or worse.
Plot in a paragraph: Bezzies Arcite and Palamon are captured by king Theseus and fall in love at first sight with his sister-in-law Emilia. It ends in a duel to the death. Er, that’s about it.
Things that worked well: Some of the language was fine. I guess.
Things that didn’t work well: The jailer’s daughter thing – gave me the ick.
Favourite character: Er, none of them, really
Words I learnt:
| Word | Definition |
| Terrene | Terrene archaic of or like earth. “terrene dust” |
| Fescue | Fescue – [device for indicating letters to young readers] pointer, rod, stick |
| Cornett | Cornett – The cornett (Italian: cornetto, German: Zink) is a lip-reed wind instrument that dates from the Medieval, Renaissance and Baroque periods, popular from 1500 to 1650.[10] |
| Frampold | Frampold 1. obsolete : peevish, cross, vexatious, quarrelsome2 obsolete, of a horse : fiery, spirited |
| Dowsets | Dowsets variants or doucets archaic: the testes of a deer |
| Casque | Casque 1: a piece of armor for the head : helmet2: an anatomical structure (such as the horny outgrowth on the head of a cassowary) suggestive of a helmet |
| Friskin | Friskin – obsolete : a frisky action or person |
| Foison | Foison 1 archaic : rich harvest2 chiefly Scotland : physical energy or strength3 foisons plural, obsolete : resources |
| Calkin | Calkins- raised edge of a horse-shoe [which prevents the horse slipping] |
Lines worth knowing:
| Act scene lines | Character | Lines | Comment |
| Act 1, scene 1, 231 | Theseus | As we are men,Thus should we do; being sensually subdued,We lose our human title. | |
| Act 1, scene 2, 9-10 | Arcite | and to followThe common stream, ’twould bring us to an eddyWhere we should turn or drown; | Cf the king in Love’s Labour’s Lost |
| Act 1, scene 2 | Palamon | I think the echoes of his shames have deafedThe ears of heav’nly justice. Widows’ criesDescend again into their throats and have notDue audience of the gods. | |
| Act 1, scene 2 | Arcite | Let th’ event,That never-erring arbitrator, tell us | |
| Act 1, scene 3 | Emilia | his sports,Though craving seriousness and skill, passed slightlyHis careless execution, where nor gainMade him regard, or loss consider, butPlaying one business in his hand, anotherDirecting in his head, his mind nurse equalTo these so diff’ring twins. | |
| Act 1, scene 4 | First queen | Heavens lend A thousand differing ways to one sure end. | |
| Act 1 scene 4 | Third queen | This world’s a city full of straying streets,And death’s the market-place where each one meets. | |
| Act 2, scene 2 | Palamon | I shall liveTo knock thy brains out with my shackles. | |
| Palamon | There’s many a man alive that hath outlivedThe love o’ th’ people; yea, i’ th’ selfsame stateStands many a father with his child. Some comfortWe have by so considering. We expire,And not without men’s pity. To live still,Have their good wishes; we preventThe loathsome misery of age, beguileThe gout and rheum that in lag hours attendFor gray approachers; we come towards the godsYoung and unwappered, not halting under crimesMany and stale. That sure shall please the godsSooner than such, to give us nectar with ’em,For we are more clear spirit | ||
| Act 5, scene 4 | Pirithous | Yet is he living,But such a vessel ’tis that floats but forThe surge that next approaches |
Marc’s entirely subjective verdict and score out of 5 bards (ymmv): xx
Will I be tracking down movies of this? : hell no.
How far would I travel to see a good production of this? I would not leave the house!
Limericks
Two kinsmen do fancy Emilia
“Hey lass will you give us a feel ‘o ya…”
They’re out of their gourds
And a dueling – with swords
Until Arcite’s as dead as Ophelia.
AND
Young Arcites and Pallie are tight
And in battle their swords have a bite
They’re captured and spot
Emilia – so hot!
Then a duel, and a horse – dead Arcite!
AND
The daughter (unnamed) of the jailer
Says “Pallie – you should nail her”
By “her” I mean me
I helped you to get free!”
But Pallie’s desire is frailer…
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