Part of my effort to do remedial cultural capital accumulation and get up to speed with all the Shakespeare plays I had low or zero knowledge of….
Year written: 1599
Context of the writing (Shakespeare’s career, political events it was responding to):
Just after Love’s Labour’s Lost and Merry Wives of Windsor, and before Julius Caesar, As You Like It and Hamlet – so… he’s “arriving”
Plot in a paragraph: Claudio and Benedick, back from a war, have the hots for Hero and Beatrice respectively. Beatrice is classic screw-ball comedy – snarky etc. Hero is demur. Don John, for the shingles, makes Claudio think Hero is a harlot and he denounces her at what was supposed to be the wedding altar. Benedick and Beatrice have been tricked into confessing their love for each other, and now she tell Benedick he has to kill Claudio for being such a douche towards Hero. Fortunately it does not quite come to this, and everything is straightened out for a dual wedding and the imminent punishment of Don John. And they all live semi-happily after.
Things that worked well: Beatrice – she lights up the page and, presumably, the stage
Things that didn’t work well: Claudio’s repentance and Hero taking him back (not that she had all that many choices)
Favourite character: Beatrice, obvs
Words I learnt:
| Word | Definition |
| Recheat | Recheat – noun1. (in a hunt) the sounding of the horn to call back or signal to the houndsverb (intransitive)2. (of a huntsman) to sound a horn to call back or signal to the hounds in a hunt |
| Baldric | Baldric – a belt for a sword or other piece of equipment, worn over one shoulder and reaching down to the opposite hip. |
| Pleaching | Thick-pleached – Pleaching is a method of training trees to produce a narrow screen or hedge by tying in and interlacing flexible young shoots along a supporting framework. Use this technique to make walks, arbours, tunnels and arches. |
| Haggards | Haggards- A haggard was a hawk that had been caught for training after it had taken on its adult plumage (this meaning is still extant in falconry). |
| Rebato | Rebato – a large, stiff collar, fashionable from the late 16th to the mid 17th centuries, typically trimmed with lace. |
| Pish | Pish – strong exclamation of contempt, impatience, disgust |
| Foining | Foining- to thrust with a pointed weapon : lunge |
| Scambling | Scambling – 1 obsolete : brawling, quarrelsome2 : carelessly done : makeshift, shoddy3 : irregularly spread out : scattered, ramblinga town scambling in all directions4 : awkwardly formed or executed : shamblinglittle clean punching and a lot of holding in a scambling bout Sunday Independent (Dublin |
Lines worth knowing:
| Act scene lines | Character | Lines | Comment |
| Act 2, i. 17 | Leonato | By my troth, niece, thou wilt never get thee a husband if thou be so shrewd of thy tongue. | |
| Act 2, i , 165 | Claudio | Friendship is constant in all other things Save in the office and affairs of love. | |
| 2, ii, | Benedick | I do much wonder that one man, seeing how much another man is a fool when he dedicates his behaviors to love, will, after he hath laughed at such shallow follies in others, become the argument of his own scorn by falling in love | |
| 3,i, 218 | Benedick | Happy are they that hear their detractions and can put them to mending. | |
| 3, iii, 107-11 | CONRAD | CONRADE Is it possible that any villainy should be so dear?BORACHIO Thou shouldst rather ask if it were possible any villainy should be so rich. For when rich villains have need of poor ones, poor ones may make what price they will. | |
| 3, v | Claudio | O, what men dare do! What men may do! What men daily do, not knowing what they do! | |
| 3,v, 140 | |||
| 3,v, 230-7 | |||
| 4, i, | Claudio | She knows the heat of a luxurious bed. | |
| 4,1 | Leonato | O she, is fall’n Into a pit of ink, that the wide sea Hath drops too few to wash her clean again, | Compare washing hands clean – Lady Macbeth, and Macbeth – in blood stepped in so far that returning were as tedious as go o’er |
| 4,i | Friar | For it so falls out That what we have we prize not to the worth Whiles we enjoy it, but being lacked and lost, Why then we rack the value, then we find The virtue that possession would not show us Whiles it was ours. S | Don’t it always seem to go you don’t know what you got till it’s gone… |
| 4,ii | Beatrice | O God, that I were a man! I would eat his heart in the marketplace. | |
| 4,ii | Beatrice | But manhood is melted into curtsies, valor into compliment, and men are only turned into tongue, and trim ones, too. He is now as valiant as Hercules that only tells a lie and swears it. | Talk got cheap |
| 5, ii. 70 | Benedick | If a man do not erect in this age his own tomb ere he dies, he shall live no longer in monument than the bell rings and the widow weeps. |
Marc’s entirely subjective verdict and score out of 5 bards (ymmv): 4
Will I be tracking down movies of this? : yes, – the 1993 Branagh
How far would I travel to see a good production of this? London? This I really would like to see.
Limericks
In the play of ‘ado’ there is much
On two weddings it turns too much
One bride is a hero
The groom near a zero
And a friar who helps in a clutch
AND
Benedick is stung by a Bea
With a lash of a tongue far too free
But their friends do contrive
To their matching arrive
As the baddie from Messina doth flee.
AND
The play’s about a snitch jacket
It made the young Bard a nice packet
There’s heaps of deception
Akin to “Inception”
Because love, after all, is a racket
UPDATE
What other people think:
presumably there are a bunch of feminist analyses – let’s see what google scholar throws up…
Books/chapters/articles I might try to track down:
Stelzer, E. 2024. “The story that is printed in her blood” Patriarchal Authority in Much Ado About Nothing and Its Sources. Revisiting Shakespeare’s Italian Resources
Podcasts and their contents
| Date | Podcast | Episode title | Topic | Length | Score out of ten (ymmv) | Comments |
| No Holds Bard | No Holds Bard: NHB 128 – So You’re Going To See MUCH ADO ABOUT NOTHING | 36 mins | 10 | Great stuff | ||
| Approaching Shakespeare | Much Ado About Nothing | University of Oxford Podcasts | Why are people so quick to believe Don John (hint – it’s the pervasive misogyny) | 42 mins | 10 | Also great stuff | |
| Shakespeare Anyone | Much Ado About Nothing: Stuff to Chew On | 9 | Lots of nice factoids and perspectives |
Leave a comment